Saturday, January 28, 2012

MARISA MONTE/O Que Voce Quer Saber De Verdade: Available March 27th, 2012!


BRAZILIAN SUPERSTAR

MARISA MONTE


RETURNS WITH MARCH 27 RELEASE OF


O QUE VOCE QUER SABER DE VERDADE

(WHAT YOU REALLY WANT TO KNOW)



On March 27, Blue Note Records will release O Que Você Quer Saber De Verdade (What You Really Want To Know), the long-awaited new album from Brazilian superstar Marisa Monte. O Que Você Quer Saber De Verdade is the celebrated singer/songwriter’s first new album in six years since the release of her twin albums Universo Ao Meu Redor and Infinto Particular, the latter of which Jon Pareles named one of his Top 10 albums of 2006 in The New York Times.

O Que Você Quer Saber De Verdade was produced by Monte with co-producer Dadi and recorded in Rio de Janeiro, São Paulo, Buenos Aires, Los Angeles and New York. The album features musicians such as the Oscar-winning multi-instrumentalist Gustavo Santaolalla, the Brazilian power trio Nação Zumbi, Argentinean tango group Café de los Maestros, a duet with Rodrigo Amarante of the Brazilian-American super group Little Joy, and a string ensemble performing arrangements by the American maestros Greg Cohen and Miguel Atwood-Ferguson.


The album features songs penned by Monte along with long-time musical partners Arnaldo Antunes, Carlinhos Brown and Dadi. Monte also covers some of her favorite artists including Jorge Ben (“Descalço no Parque”) and a version of the classic tango “Lencinho Querido” by Juan de Dios Filiberto and Gabino Coria Penaloza.

* * *

Marisa Monte was born in Rio de Janeiro, Brazil, in 1967. Her father, Carlos Monte, was one of the directors of the Portela Samba school, and she begin her musical studies on piano, drums and music theory at a very early age. Despite growing up during the height of the Musica Popular Brasileira movement—MPB was the post-bossa nova popular music of Brazil—Monte’s first interest was in classical music and opera, and inspired by her idol Maria Callas she traveled to Italy at age 18 to study classical singing.

It was while abroad that Monte first fully recognized the musical richness of her homeland, and decided to return to Brazil and join the ranks of the MPB, following in the footsteps of her greatest influences, including Elis Regina, Gal Costa, Jorge Ben, Caetano Veloso, Nara Leão and Maria Bethânia, and establishing herself as a star in her own right.

Monte’s self-titled debut album in 1989 was an instant hit in Brazil, with stunning interpretations of everything from Gershwin and Kurt Weill to Brazilian pop, R&B and an old Carmen Miranda tune. She went on to release a string of critically acclaimed albums that broadened her international profile and further explored her eclectic and original vision: Mais (1991), Rose And Charcoal (1994), A Great Noise (1996), and Memories, Chronicles and Declarations (2000), as well as Tribalistas (2003), her successful collaboration with Carlinhos Brown and Arnaldo Antunes that sold over 2 million albums worldwide.

In 2006, Monte simultaneously released Universo Ao Meu Redor, a collection of samba songs both old and new, and Infinito Particular, a contemporary pop record on which she returned to unrecorded songs from over the course of her 15 years of songwriting. Jon Pareles of The New York Times named Infinito Particular one of his Top 10 albums of the year, writing that “Monte released two lovely albums this year. Infinito Particular is the more introspective one, a set of gravity-defying ballads. Her voice floats amid ghostly electronics and a handful of winds and strings, contemplating love and transformation.”

The “Infinito Ao Meu Redor” worldwide tour behind the albums’ release hit 140 shows throughout 50 cities in 15 countries across 4 continents. Monte has sold 9 million albums and won 3 Latin Grammy Awards. She was named the most important living Brazilian singer by Rolling Stone Brazil.

Friday, January 27, 2012

JESSIE BAYLIN/Little Spark: Available NOW!





2012 album from the singer/songwriter. Jessie Baylin is a wanderer. A Jersey girl by birth, she attended music school in New York City and later moved to Los Angeles, where she launched her songwriting career as an Indie-Folk regular at the Hotel Cafe. Now settled in Nashville, she funnels her wanderlust into the gorgeous, pastoral songs that fill her third album. Little Spark may be an Alt-Country record on the surface, but Baylin dives deep into the genre’s roots, mining a mix of Western Blues, Laurel Canyon Folk, and 1970s singer/songwriter Pop. String arrangements rub shoulders with pedal steel guitars, and girl group harmonies most of them supplied by The Watson Twins, in their best cameo performance since Jenny Lewis’ Rabbit Fur Coat echo alongside Baylin’s Country-cabaret croon.


Wednesday, January 25, 2012

CANDICE ANITRA/Big Tree: Available April 3rd, 2012!





Candice Anitra hates how social constructs put people in boxes, including rigidly corrugated musical categories. Embodying the subtle rapture of Joan Armatrading, the robust confidence of Meshell Ndegeocello, and the thespian gender inquisition of Cheryl Dunye, the left-of-soul singer-songwriter bucks convention rather than live as a square peg in a round hole. Hailing from Philadelphia, the Brooklyn-based songstress was reared in a musical family whose voices were limited to home and church. When the adolescent impetus to find her own voice struck, she was stifled by her father’s telling her she “wasn’t ready.” After high school, Candice set sail for New York University’s heralded Tisch School of the Arts. There, she discovered her vocal prowess upon receiving accolades for her performance in dramatic roles that called for her to sing. By 2006, a post-collegiate Candice had written a stage play, instructed a youth theater workshop, and assumed lead vocal duties for a local NYC band. Though the band dissolved, former classmates Ion & Sanford, who as Force Theory Productions scored award-winning films Favela Rising and Jesus Camp, gave Candice some music to write to – her entry into songwriting – and jumped to produce Candice’s maiden solo musical voyage, the 2008 EP Easier.

Tuesday, January 24, 2012

SARA RADLE/Same Sun Shines: Available February 21st, 2012!







The story of Sara Radle’s music career is one that began in San Antonio, Texas in the late 90’s but she is probably most known for being the reason The Rentals reunited in 2005.

In 1996, at the age of seventeen, she began carving out a name for herself in the Texas music scene with punk-pop trio Lucy Loves Schroeder and her own solo project. Eight years later, ex-Weezer bassist Matt Sharp played a show with her in Dallas, and very soon after, he asked her to relocate to Los angeles, CA in 2005 to re-form The Rentals. Radle and Sharp re-built the band from the ground up, wrote some songs together, recorded the group’s Last Little Life EP, and toured the world. 

Fans were sad to see Radle leave The Rentals in 2008, when she soon after joined Los Angeles-based indie-rock band Walking Sleep. With her September 2010 fourth solo album release, Four, it was time she returned to her true passion – writing and recording her own music.

With her upcoming fifth solo record, Same Sun Shines, Radle displays her full versatility as a musician by playing every instrument on the record, including guitars, drums, piano, and violin. She also entered new territory by engineering and mixing the record’s collection of ten infectious pop songs herself. Same Sun Shines continues Radle’s diary-entry lyrical style, using a mix of honesty, heart, humor, and bite to tell stories of love, loss, relationships, and even death. From intimate moments with scaled down instrumentation, to fully orchestrated arrangements that have you questioning how one person was able to make a recording that sounds as full as a room of musicians playing together, every song on Same Sun Shines reflects Radle’s unique signature style that mixes rock, 50’s and 60’s pop, Americana, punk, and classic country. The latter is apparent on her cover of Mamas Don’t Let Your Babies Grow Up To Be Cowboys, a song made famous by Waylon Jennings and Willie Nelson. The Same Sun Shines version features big guitars and driving drums, and Radle in a duet with legendary indie singer/songwriter Mary Lou Lord.


Thursday, January 19, 2012

LANA DEL REY/Born To Die: Available January 31st, 2012!





Highly anticipated 2012 debut album from the New York-based singer, songwriter and performer. She has described herself as a "gangsta Nancy Sinatra" and cites Britney Spears, Thomas Newman and Bruce Springsteen as her musical influences. Lana Del Rey's direct influences were visual as well as musical; David Lynch, soundtracks for `50s black and white movies, the whirring sound of the Ferris at Coney Island, fame itself. She lived in a New Jersey trailer park and decked her homestead in flags, streamers and seasonally inappropriate Christmas lights. Like these things she loves, the album sparkles with color and vitality. Includes the hit singles 'Video Games' and 'Blue Jeans'.



SOJA/Strength To Survive: Available January 31st, 2012!




1.31.12
Highly-anticipated 2012 release produced by John Alagia (Dave Matthews Band, John Mayer, O.A.R). Soja is an international touring machine having rocked theaters in more than 15 countries around the world. In the past year and a half alone, they’ve played more than 360 dates, on large headline dates in addition to tours opening for acts like O.A.R,, Dave Matthews Bond and Matisyahu.


Thursday, January 12, 2012

An EXCLUSIVE interview with GRAFITTI6's JAMIE SCOTT!






     Regardless of what you may have heard, the music industry is alive and well and cranking out tunes by the hundreds, if not thousands, each and every week. From DIY efforts recorded in small bedrooms around the world to big budget studio recordings funded by major labels, the parade of tunes can make your head spin. Trying to find something that connects to head, heart and soul can be a bit of a chore, though. But when that song hits you, it feels like a momentous mix of Christmas and the Fourth of July. Graffiti6’s U.S. debut single “Free” is one of those songs.
     Released towards the end of 2011, “Free” is the perfect combination of modern and retro styles: a production that blends electronics and acoustic Pop with a melody that sounds like it’s straight off a vintage Northern Soul single. Vocalist Jamie Scott’s heartfelt vocals and TommyD’s pristine production add a timeless quality to “Free”, ensuring that it’s magic will sound just as captivating 10 years from now.
     The British duo’s full length debut, Colours, expands upon the musical blueprint of “Free” by adding even more genres and creating one delicious Pop pie of an album. From Soul to Pop, Electro to Folk, Colours is as perfect as modern Pop music gets. It is an album that will satisfy music fans looking for something with substance yet it is slick enough to shift millions of units. Colours is the kind of album that bridges the gap between the cool and the commercial. It’s jam packed full of songs that are sophisticated yet easy to love.
     While both of Graffiti6’s members have made a name for themselves in the business (including TommyD’s production work and two albums from Jamie Scott & The Town), this collaboration is perhaps the most fully realized outing that either has been involved with. The album has been long in the making (they began working together in 2008) but it has been worth the wait. Judging by the reaction from audiences so far, its probably safe to say that Jamie and Tommy will have to leave their solo careers on the backburner and concentrate on this project full time.
     Stephen SPAZ Schnee was able to catch up with Jamie to discuss the band, the album and more…


SPAZ: Your debut album, Colours, is just about to drop. How are you feeling about the album and the reaction you have encountered so far?
JAMIE SCOTT: Really excited because I have been waiting for the album to be released in the U.S. for a while now and the reaction we have got so far from playing shows and touring America has been overwhelming

SPAZ: Pop music today seems more about style over substance, yet Graffiti6 bucks the trend and puts the heart and soul back into the music. Did you realize that you were doing something a little different when you began putting the album together?
JAMIE: I think we never really sat down and questioned what we were writing and producing. That was really the reason it flowed like it did. But it’s cool to hear people say that about our music

SPAZ: When writing for the album, where did you draw your greatest inspiration from? Does it tend to be music or other forms of art that inspire you?
JAMIE: The inspiration lyrically for the album and for anything that we wrote or I've written for myself has always been from personal experience. In terms of musical inspiration, I think everyone has influences but the idea is that you find your own style I suppose. The collaboration between Tommy and myself became a mix of genres because of our eclectic mix of influences.

SPAZ: While the album is lushly produced, the songs remain the primary focus. Are the songs usually born on an acoustic guitar, or perhaps based around a studio-created groove? Maybe a bit of both? JAMIE: Most of the album was written on the guitar or wurly first before any production took place but there were a few tracks like “Colours” and “Calm The Storm” that we were just jamming in the studio and became songs.

SPAZ: Production-wise, when putting together the album, did you both work out each track together or did you lay down the basics and let Tommy D take it to the next level?
JAMIE: We pretty much worked together on everything. That became the signature sound of what we were doing. It was the chemistry we both had when playing together.

SPAZ: Is there a difference between your approach to songwriting in the context of Graffiti6 versus your solo material?
JAMIE: No, not really. It's still about writing a good song.

SPAZ: Were there moments when a song would take a completely different direction than what you imagined when writing it? And were there times when you had to set a song aside because you had two differing opinions and couldn’t reach a compromise?
JAMIE: We only recorded 17 songs in all. 12 made the album, a further 3 made the EP and the remaining tracks were the ones that we both weren't convinced about. So yes, I would say that is correct. IN terms of direction, we both worked together so much on the album, that was really never an issue.

SPAZ: The album is very cohesive yet takes many detours down various musical paths including House, R&B, Pop, etc. Where do you think Graffiti6 fits in?
JAMIE: We've already seen the album as a merge of Folk, Blues and Northern Soul but after touring we have had so many different references that I'm not sure any more. But I suppose that's the whole point of music - you take your own personal view on things.

SPAZ: When you write a song like “Free”, which is by far the best single of 2011, at which point did you realize “OK, I think we might have something here?”
JAMIE: The minute we first started writing the verse, actually. I felt that something was really special about it already.

SPAZ: Do you feel that the Internet is a blessing or a curse in regards to Graffiti6?
JAMIE: When we first released the record on our own label in the UK, the internet was actually a blessing because it enabled us to reach a lot of people without spending much money that we didn't have.

SPAZ: What’s next for Graffiti6?
JAMIE: Touring America, hopefully, for the rest of the year and playing to big crowds after the record comes out.

SPAZ: What is currently spinning on your CD and DVD players?
JAMIE: (CD) Lewis Taylor’s Bitter Sweet and Ryan Adams’ new record. (DVD) Flight Of The Conchords.

Thanks to Jamie Scott
Special thanks to Jacki Feldstein, Alexis Goldberg and Richard Wilson