Tuesday, March 9, 2010

WIDESPREAD PANIC/Dirty Side Down: Available on May 25th, 2010!

WIDESPEAD PANIC 

DIRTY SIDE DOWN

5.25.10

New York, NYDirty Side Down, the 11th studio album from Widespread Panic is set for a May 25th release on ATO Records. Dirty Side Down is comprised of 12 songs that incorporate Panic’s unique blend of rock, jazz and blues inspired textures into songs flowing with melody, rhythm and emotion.

After 24 years, Widespread Panic remain one of America’s best live bands, and most successful touring acts. Aside from their legendary live shows, they continue to raise the bar in their genre through their songwriting, and Dirty Side Down is a prime example. Band members John Bell (vocals/guitar), John Herman (keyboards/vocals), Jimmy Herring (lead guitar), Todd Nance (drums/vocals), Domingo Ortiz (percussion) and Dave Schools (bass/vocals) combine their efforts by writing, or co-writing, 10 of the album’s 12 tracks.

Songs, such as the dark, multi-layered opener “Saint Ex”, the boogie blues of “Jaded Tourist” or the laid back Southern nature of “When You Comin” home showcase Widespread Panic’s dynamic range as songwriters and musicians.

One of the highlights of Dirty Side Down is the hauntingly beautiful cover of “This Cruel Thing” written by the late Vic Chesnutt, whose songs the band has recorded and performed for years. Widespread Panic has previously collaborated with Chesnutt on two albums under the name Brute. "I guess Widespread Panic and Vic aren't quite done with each other yet.", says Panic lead singer John Bell.

Dirty Side Down was produced John Keane along with Widespread Panic. Keane also engineered, mixed and mastered the album, as well as contributed pedal steel and acoustic guitar.

For more information on Widespread Panic, visit widespreadpanic.com


THE WHITE STRIPES/Under Great White Northern Lights trailer!





Available on: 




and

WIG WAM/"Do Ya Wanna Taste It?" video!





Available NOW!

Monday, March 8, 2010

RECORD STORE DAY 2010/Spaz waxes poetic!




If you happen to visit a record store on Saturday, April 17th, 2010 in honor of the 3rd annual RECORD STORE DAY, then THANK YOU in advance! If you are a record store who is participating, then THANK YOU! If you are a label that is supporting RECORD STORE DAY, then THANK YOU!

Ever since I was a child, record stores have fascinated me.  Being raised on many types of music (The Beatles, The Monkees, Neil Diamond and Glen Campbell to name a few), I was always excited about songs that really struck a chord with me... long before I even knew what a chord was! Often times, I'd lay down next to the record player and imagine it was me singing to that cute girl in 3rd grade...

In the beginning, mom and dad satisfied my musical appetite by handing down copies of Beatles albums or buying me albums on my birthday and Christmas.  Every note was magical, every melody was an audio dream that unfolded in my tiny little mind...

I was so excited when I finally started getting an allowance.  OK, maybe the first year or so, I spent all the money on candy and comic books, but when I was old enough to walk to any local record store (Licorice Pizza), my allowance was spent on seven inch singles and LPs in the cut-out bins.  At that time, I couldn't afford a full priced album and if I wanted a new album, I had to add it to my want list for future gift-recieving holidays.

But then, when my allowance went up a little or when I'd get money from grandma and grandpa (or other relatives), it was straight to Licorice Pizza I'd go.  While my tastes may have been limited at that exact moment, there was still so much to choose from.

But in 1977, when I was 14, I saw The Jam and The Clash on TV and my limited view was shaken to it's core and broken wide open.  "There IS a musical world outside of my transistor radio!", I thought to myself.  Little did I know that, 33 years later I'd still be excited and inspired by music, both new and old.  In fact, I think I've only gotten worse!

Anyway, as I came to my awkward teens, music became a way to communicate with people.  If I had friends that were going through hard times, a mixtape could surely cheer up their day.  If I had a girlfriend and couldn't find the right words to say, a Paul McCartney album would always do the trick.  If I couldn't think of the perfect gift for a family member's birthday, why not buy 'em The Eagles' Greatest Hits or Hotel California?

People who know me know that I am never short on words, so if I was handing out mixtapes or albums to people, that meant that those particular albums or songs meant something to ME and I wanted them to mean just as much to THEM.  I would head up to Licorice Pizza and spend my own money just to try to add a little bit of sunshine into their day.  To be honest, sometimes it worked sometimes it didn't... but at least I tried.

I spent so much time at Licorice Pizza during the late '70s that I could have actually worked there.  Then, as I got older and had friends that could drive, it was on to Tower Records, Beggar's Banquet, Music Plus, The Wherehouse and any other record store within a 5 mile radius.  Almost every day.  Definitely every weekend.  We just wanted to experience the sights, sounds, smells and vibes of any record store that stocked a good amount of LPs and singles.  Sometimes we had money, sometimes we didn't... but we ALWAYS heard good tunes and had a great time.

While I did OK at school and had a great family, music spoke to me louder and
clearer than any book or teacher.  In fact, some of the most influential people in my young life were those record store employees who would introduce me to new music, either suggesting something or just by playing it in the store.  I didn't read the music rags of the day because I wanted to spend every penny on something new and exciting.  After all these years, it's still the same.

Many of my long-lasting friendships have been made in a record store.  Apart from my school buddies, I'd meet new folks with similar musical tastes and we'd make suggestions back and forth.  I still talk to many of these folks today and I'm still sharing my latest musical passions with them. 

My life would not have been the same were it not for the record stores (and CD stores) that I would frequent during this very important time in my life.  It pains me to no end when I think that the youth of today don't bother with experiencing the joys of seeking out new music in their local record stores.

Two and a half decades ago, there was so much on offer here in OC in regards to record stores: Music Market, Camel Records, Music Plus, Licorice Pizza, Record Trading Center, Pepperland, The Wherehouse, Beggars Banquet, Up Another Octave, Tower Records and many others that are swimming around in my memory banks. Of all those great spots, only Pepperland remains. The others disappeared over the years (and many of them long before downloading began replacing the shopping experience).

In a perfect world, I'd be shopping in one of them now.  But, I really don't mind taking a long drive to L.A. to hit Amoeba every now and then.

Now, I'm not one who is against the idea of legal downloading (I've done the odd track here and there myself), but at the end of the day, after you've paid your money, what do you have? NOTHING! There are files in your computer that seemingly play the music for you, but is that really enough? Can you hold it? Can you feel it? Can you smell it? Can you see it? You didn't buy anything tangible: there are nothing but files on your hard drive made up of numbers, letters and codes. Where is the fun in that? What kind of memories will that leave behind?

An imperfect (and slightly offensive) analogy would be: does internet porn REPLACE an intimate physical relationship with someone? I think not. It may enhance it, but it will never replace it. Same with music: how can someone possibly be satisfied with a download of an entire album when they can actually own a physical piece of product? As I stated before, I am NOT anti-downloading; I am pro-record store! I must admit that the internet IS a great place to LISTEN to new stuff and make your purchasing decisions, though.

In terms of buying your item, the ideal situation is to go to your local indie record store and buy it. If it's not in stock, then have them special order it. It may not be instant gratification, but within a few days, you'll have what you need and you will enjoy the heck out of it. You'll be able to hold it, look at it, listen to it, read the liner notes, etc. You can then load it into your computer and enjoy listening to it that way as well, but the important thing is that you own it. It is yours. It is something you can show to your friends. It is something physical... something REAL.

For many of us, music is more than just a hobby... it was an emotional experience that is hard to describe. There are those of us who LIVE for music. It's not just something that is played in the background: it is the soundtrack to our lives!

(About a decade ago, I came up with a motto that fits me to a T: "Some of my best friends are three minutes long"! And that still rings true.)

Even today at the age of 46, I listen to music in the morning, afternoon and evening. I write about music all day long. I still get together with friends on a regular basis and discuss music, play music and hear new music that they share with me. I'm not the only one like this: there are others! Perhaps even YOU! But are there places for all of us to meet anymore? The record store was (and is) more than just a place to spend money: it was a place to spend time, meet like-minded people and learn about new music (or even older releases you may have missed first time around).

There are still plenty of sports bars around for all the sports fans to gather and enjoy a game together and that is awesome. There are upscale coffee shops everywhere where folks can get together and be arty and pretentious, and that, too, is awesome.
But all the record stores I remember from my youth have closed down. It is up to US to support the ones that are still left standing. And if you visit one of them on RECORD STORE DAY, than THANK YOU again. Visit them again tomorrow... or next weekend, too! Perhaps the kids of today and tomorrow will one day realize that the record store experience is amazing indeed. It is up to US to show them the way.

To paraphrase the great Roy Wood and Wizzard, "I Wish It Could Be Record Store Day Everyday"!

Peace, love and pancakes,
Stephen SPAZ Schnee

The views and opinions expressed in this posting are strictly those of the author.

Sunday, March 7, 2010

FINDLAY BROWN/Love Will Find You CD review





While I was well aware of British singer/songwriter Findlay Brown's previous work, his album's never crossed my desk, so I was oblivious to his music apart from the YouTube videos I would stumble across and enjoy.  His songwriting was certainly above par, but there are so many less-than-average singer/songwriters polluting the airwaves that it's hard to weed them out. That's a real shame, to be honest.  Especially since Findlay is so obviously talented.

Well, when Love Will Find You landed on my desk recently, I was happy to finally experience one of his albums and formulate an honest to goodness opinion.

Holy crap, I was NOT expecting to hear an album that would blow me away so completely, both musically and emotionally. Love Will Find You is one hell of an album that must be owned by as many human beings as possible.  I don't get paid by the labels for writing these reviews: they are a labor of love.  And this album is one of the few albums that I've heard in recent times that will appeal to so many music fans, young and old.

You see, Love Will Find You is not a typical Findlay Brown album, stylistically. With producer Bernard Butler (Duffy, Suede, The Tears, McAlmont & Butler) twiddling the knobs, Findlay has stepped back in time and created an album that retains his melodic songwriting skills yet takes his music into an era that existed even before he was born.

The best way to describe Love Will Find You is this: imagine Roy Orbison and The Everley Brothers flying over to the UK in the mid-'60s and recording an album in the midst of the Merseybeat boom.  Add some gorgeous melodies, lush strings, big Spector-like production and a whole lot of love and you've got Love Will Find You.

While Findlay doesn't possess a soaring set of pipes like Orbison, he is still a force to be reckoned with. The album may be an aural homage to a more innocent time when music was created to 'touch' the listener, Findlay's songwriting and vocals reveal an artist much more sophisticated than his previous albums let on.

Love Will Find You is not just an album to listen to: it is an album to feel, to experience, to love and to cherish.  There are moments here that are joyful and life-affirming including "Love Will Find You, "Nobody Cared" and the gorgeous "Everybody Needs Love".  When an album is this good, it's really hard to pick a highlight.  The whole damn thing is lovely.

So, do yourself a favor: find someone you love deeply and unconditionally and give them a copy.  Don't be a fool and burn them a copy.  Don't illegally download it.  Buy the damn thing and give it to them like you would flowers, chocolates or a kiss. This is a musical love letter that will reach down and touch that special someone like no other album before. 

Love Will Find You is a must-own, my friends.  Listen to it, cry to it, long for it and hold it close to your heart.  Your life will be much better for it.





I love you,
Stephen SPAZ Schnee

JOAN JETT & THE BLACKHEARTS/Greatest Hits review






Seldom does an artist appeal to as many different musical genres as Joan Jett. 

Lovers of '70s rock and glam drool over her groundbreaking work with The Runaways.  
Punk fans love the Runaways and her gutsy, adrenaline fueled solo albums AND her production work on the Germs' sole album. 
Top 40, '80s and New Wave fans love her early '80s hits including "I Love Rock 'n' Roll", "Crimson & Clover" and others. 
Alternative fans love her for all those same reasons plus the influence she has had on scores of female-led bands that have followed in her wake.  
Classic Rock fans love her for her dedication to the true spirit of Rock 'n' Roll and for keeping the Rock flame alive, well and brightly lit. 

Me?  I love Joan Jett for all the above reasons... and for the fact that she has more killer songs than most bands before or since. There's not a Joan Jett album on the market that isn't filled with conviction, passion and fun.  You see, I love albums that sound as fun to make as they are to listen to and Joan might be a serious Rock 'n' Roller, but she always seems to be having fun. And whether or not you've thought of that, it is what makes a great record that much greater!

Joan Jett And The Blackhearts' Greatest Hits is one hell of a fun ride.  While all 20 tracks could have easily fit on one CD, the idea to break it up into a 2CD set is brilliant.  From the slightly 'vinyl worn' look of the CD  cover to the finely compiled set of tunes, this release puts the 'album'/LP experience back in the hands of the music buyer, no matter what format you purchase it on. (this release is also available on VINYL for those who are looking for the ultimate Joan Jett experience). 

All the hits are here including the aforementioned "I Love Rock 'n' Roll" and "Crimson & Clover" plus true classics like "Bad Reputation", "I Hate Myself For Loving You", "The French Song", "Light Of Day", "Everyday People" and many more.  Personal faves include "Fake Friends", "Backlash" and "(I'm Gonna) Run Away", which are amazing Pop nuggets that are considered true classics at Casa Spaz.  In fact, every song here is a classic.  Not a dud in the bunch.  From Punk-fueled rockers to Power Pop gems, Joan Jett is the fucking bomb!

Amongst the 21 tracks are re-recordings of three songs ("You Drive Me Wild", 'School Days" and "Love Is Pain") plus the previously unreleased Punk gem "I Want You". Eight of these songs are due to appear in the forthcoming Runaways biopic.

Now, with said Runaways film set to debut, the spotlight is back on Joan.  But let's be honest, she's about the only real light in Rock 'n' Roll these days. Joan Jett has integrity.  And balls.  Well, not literally, but you know what I mean.

All hail Joan Jett.  Rock 'n' Roll survivor and savior.









End of my love letter to Joan Jett,
Stephen SPAZ Schnee

SONYA KITCHELL/Convict Of Conviction EP available March 23rd, 2010!










True to the title of Sonya Kitchell’s 2008 album This Storm, the 21-year-old singer songwriter’s life has been in constant whirlwind mode since the release of her critically acclaimed 2006 breakthrough Words Came Back To Me. While she’s performed with everyone from Angelique Kidjo and Ben Harper to Jamie Cullum, India.Arie, Los Lonely Boys and Madeleine Peyroux, her career picked up international steam when jazz legend Herbie Hancock tapped her to tour the world with him in 2007. Slowing down after an exhilarating year on the road with Hancock and later The Slip, Kitchell found a much needed quieter place to write and record the six songs on Convict Of Conviction, her 6-track EP debut for 429 Records.

In the winter of 2008, the multi-talented singer retreated to the isolated Massachusetts countryside to write her new songs. Collaborating with bassist/arranger Garth Stevenson and producer Stewart Lerman with an ensemble that includes Sarah Parkington, Yoed Nir, Richie Barshay and Rebecca Cherry, Kitchell recorded the new collection in Hoboken, New Jersey at the famed Water Music Studios. “The songs came from a stillness,” she says. “This is music I could not have written in New York City. I am thankful I had this time in between moving back to New York and getting off the road to contemplate, while the music drifted down from the dusty rafters to slip unassumingly from my soul. The songs on Convict Of Conviction are a culmination of that silence and the time spent around numerous masterful musicians. I felt like working with Herbie had finally crept its way beautifully into my songwriting, in its own way.”

“The months on the road was the longest time period in my life where I didn’t write or finish a single song,” Kitchell adds. “Suddenly in the silence and space of this quiet empty house, these songs started pouring forth. It was the first time I had tried writing on the piano and a completely different sound came out. The piano lent a different sensibility to the music, than anything I’d ever written before.”

Calling the collection a time capsule, Kitchell explains that it perfectly captures the emotions and stirrings of a winter away from the limelight; with the exception of the bluesy and infectious “Mr. Suicidal,” all the songs were penned alone in a country house that winter. Sweetening her compositions, Stevenson wrote string arrangements which came out of a small duo tour the two did together in February 2009. They pulled together a string quartet to try the music out and it clicked. Kitchell and Stevenson played several shows with the new ensemble and recorded the EP in a single afternoon.

Kitchell decided she was going to be a singer at age seven, and by eight, had made her debut performance at a piano recital. By age ten, she was taking voice lessons with jazz singers Sheila Jordan and Rebecca Parris, followed by learning to play the guitar and writing her first song at age 12. Soon after, she formed the Sonya Kitchell Band, which earned an enthusiastic following through regular appearances at the Northampton, Mass. club, the Iron Horse. Meanwhile, one of her compositions won two awards at the 2003 DownBeat Student Music Awards, and she was one of 40 composers under 30 – and at the age of 14, the youngest by four years – to be selected for a week-long workshop in jazz composition for the Betty Carter Jazz Ahead Program at the Kennedy Center in Washington, D.C.

In 2004, Sonya was spotted by the head of the artist-friendly Velour Music Group, which signed on as her management and record label. Kitchell recorded and released the EP Cold Day for Velour and began sharing bills with such artists as Taj Mahal and Tuck & Patti. In 2005, as advance copies of her full length debut Words Came Back To Me made the industry rounds, the album so impressed the principals of Starbucks Hear Music that they decided to make it their second-ever release in their Hear Music Debut CD series in 2006.

With its intimate tone and feathery falsetto, Kitchell’s worldly voice earned her attention not only from excited critics but also from Hancock, who invited her to perform with him and his all-star band at the Sonoma Jazz Festival in 2006. The two developed a warm rapport and Hancock tapped the young singer to join his group as he toured the West Coast in support of his Grammy winning album River: The Joni Letters; Kitchell also sings on “All I Want” on the Amazon and ex-U.S. iTunes versions of the album. The keyboard great later invited Kitchell to tour the world with him. In a unique tie in to that experience, she appeared at NYC’s famed Carnegie Hall as part of “The Music Of Joni Mitchell,” a live tribute to her idol featuring Judy Collins, Tracy Chapman, Suzanne Vega and others.

With the release of Convict of Conviction, Kitchell says, “I hope to feel like I’m doing exactly what I’m supposed to be doing as an artist. I chose to make this collection of music an EP instead of an album because it’s a very particular mood and sound, I wasn’t ready to have this be my next album. I was ready for it to be a moment in time; an idea... not my entire identity as an artist. It’s one piece and there are many more to follow. I’d love to release a full length record of beautiful and interesting new music to follow up this EP, and hope to tour extensively around the word in support of this new music. As long as I’m traveling and playing music and giving people what I have to give, I’ll be satisfied.”